The lyrics are intended to be a deification of feminine beauty. Drums were recorded at RaByn Taylor's place in Fort Worth in the summer of 1989, the rest added shortly thereafter in my apartment. This was a blast to put together. The main melody and many background textures were played on a toy xylophone given as a Christmas present from my brother and sister-in-law. The distorted, sustained guitar-type bits were sung through an ART SGE effects box. I also noodle away on a recorder I don't know how to play towards the end. Those in the know might recognize the influence of Talk Talk's "I Believe in You" from The Spirit of Eden.
supported by 5 fans who also own “A Glance (Blue, Blue and Scarlet)”
got recc'd this on youtube and loved it- reminds me a lot of late 60's and early 70's records i used to hear playing out of my parents' stereo on sweltering summer days. OPAL
supported by 5 fans who also own “A Glance (Blue, Blue and Scarlet)”
The best band of the last 30 years for me. After the best progressive rock bands, I have never been more pleased to hear something really surprising. But Thinking Plague is the only band that manages to move forward with progressive daring. eduardolosso
supported by 5 fans who also own “A Glance (Blue, Blue and Scarlet)”
The new live EP by Ryan W. Stevenson's project reminded me, that this debut album must have been gone down the wishlist... If instrumental Canterbury stuff is your thing, this should be a no-brainer. Firmly rooted in the past (late 60s, 70s), nevertheless with a fresh sound. Guests incude The Tangent's Andy Tillison and Soft Machine's Theo Travis. Carsten Pieper