For those who can "hear colors," you might be able to get a sense of deep green, quasi-nocturnal hues evoked by the title. This was originally recorded as a means to try out an effects processor Bill Pohl had bought in the summer of 1989. Although it was a spur of the moment thing, I thought it was very expressive when I finished it. It's dedicated to my brother, Tony. When I assembled the music for the CD, I decided it would make a nice prelude to "Black Wedge."
got recc'd this on youtube and loved it- reminds me a lot of late 60's and early 70's records i used to hear playing out of my parents' stereo on sweltering summer days. OPAL
The best band of the last 30 years for me. After the best progressive rock bands, I have never been more pleased to hear something really surprising. But Thinking Plague is the only band that manages to move forward with progressive daring. eduardolosso
The new live EP by Ryan W. Stevenson's project reminded me, that this debut album must have been gone down the wishlist... If instrumental Canterbury stuff is your thing, this should be a no-brainer. Firmly rooted in the past (late 60s, 70s), nevertheless with a fresh sound. Guests incude The Tangent's Andy Tillison and Soft Machine's Theo Travis. Carsten Pieper